Director Of Photography
These Thousand Hills (1959)
Directed by: Richard Fleischer
Cinematography by: Charles G. Clarke
Edited by: Hugh S. Fowler
Director Of Photography
Holiday for Lovers (1959)
Directed by: Henry Levin
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Director Of Photography
The Barbarian and the Geisha (1958)
Directed by: John Huston
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Director Of Photography
The Hunters (1958)
Directed by: Dick Powell
Cinematography by: Charles G. Clarke
Edited by: Stuart Gilmore
Director Of Photography
Stopover Tokyo (1957)
Directed by: Richard L. Breen
Cinematography by: Charles G. Clarke
Edited by: Marjorie Fowler
Photographer: Spanish Backgrounds
The Sun Also Rises (1957)
Directed by: Henry King
Cinematography by: Leo Tover
Edited by: William Mace
Director Of Photography
The Man in the Gray Flannel Suit (1956)
Directed by: Nunnally Johnson
Cinematography by: Charles G. Clarke
Edited by: Dorothy Spencer
Director Of Photography
Carousel (1956)
Directed by: Henry King
Cinematography by: Charles G. Clarke
Edited by: William Reynolds
Director Of Photography: Second Unit
Love Is a Many-Splendored Thing (1955)
Cinematography by: Leon Shamroy
Edited by: William Reynolds
Location Photographer
Hell and High Water (1954)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Location Photographer
Prince Valiant (1954)
Directed by: Henry Hathaway
Cinematography by: Lucien Ballard
Edited by: Robert L. Simpson
Location Photographer
How to Marry a Millionaire (1953)
Directed by: Jean Negulesco
Cinematography by: Joseph MacDonald
Edited by: Louis R. Loeffler
Location Photography: French Riviera
On the Riviera (1951)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: J. Watson Webb Jr.
Director Of Photography: Second Unit
The Grapes of Wrath (1940)
Directed by: John Ford
Cinematography by: Gregg Toland
Edited by: Robert L. Simpson
Cameras: Mitchell Cameras
Photographer: China
The Good Earth (1937)
Cinematography by: Karl Freund
Cameras: Mitchell Standard Camera
