Director, Producer
Cheyenne Autumn (1964)
Directed by: John Ford
Cinematography by: William H. Clothier
Cameras: Super Panavision-70 Camera
Director - Segment "the Civil War"
How the West Was Won (1962)
Edited by: Harold F. Kress
Cameras: Cinerama Camera, Ultra Panavision 70 Camera
Lenses: Kodak Ektar 27 mm Lens, Panavision Lenses
Director
The Searchers (1956)
Directed by: John Ford
Cinematography by: Winton C. Hoch
Edited by: Jack Murray
Cameras: Mitchell VistaVision Camera
Contributing Writer, Director, Producer
The Quiet Man (1952)
Directed by: John Ford
Cinematography by: Winton C. Hoch
Edited by: Jack Murray
Cameras: Mitchell Cameras
Director, Producer
Rio Grande (1950)
Directed by: John Ford
Cinematography by: Bert Glennon
Edited by: Jack Murray
Director, Executive Producer
She Wore a Yellow Ribbon (1949)
Directed by: John Ford
Cinematography by: Winton C. Hoch
Edited by: Jack Murray
Cameras: Mitchell BNC Camera
Director
How Green Was My Valley (1941)
Directed by: John Ford
Cinematography by: Arthur C. Miller
Edited by: James B. Clark
Director
The Grapes of Wrath (1940)
Directed by: John Ford
Cinematography by: Gregg Toland
Edited by: Robert L. Simpson
Cameras: Mitchell Cameras
Director
The Prisoner of Shark Island (1936)
Directed by: John Ford
Cinematography by: Bert Glennon
Edited by: Jack Murray
Director, Producer
The Informer (1935)
Directed by: John Ford
Cinematography by: Joseph H. August
Edited by: George Hively
Cameras: Mitchell Standard Camera
Klansman On Horse Holding Up Hood With Hand
The Birth of a Nation (1915)
Directed by: D.W. Griffith
Cinematography by: G.W. Bitzer
Cameras: Pathé Cameras