Director Of Photography: Second Unit
Observe and Report (2009)
Directed by: Jody Hill
Cinematography by: Tim Orr
Edited by: Zene Baker
Director Of Photography: Second Unit, New Mexico
The Eye (2008)
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
Director Of Photography: Second Unit
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Director Of Photography: Second Unit
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Second Unit Director
A Man Apart (2003)
Directed by: F. Gary Gray
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Unit Director
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Director Of Photography: Second Unit
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Director Of Photography: Los Angeles
Ali G Indahouse (2002)
Directed by: Mark Mylod
Cinematography by: Ashley Rowe
Edited by: Paul Knight
Additional Photography
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Director Of Photography: Second Unit
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Director Of Photography: Second Unit
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Director Of Photography: Second Unit
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Director Of Photography: Second Unit
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Director Of Photography
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Director Of Photography: Second Unit
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Additional Cinematographer
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Director Of Photography: Second Unit
Black Dog (1998)
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Director Of Photography: Additional Unit, Hong Kong / Director Of Photography: Second Unit
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography: Second Unit
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Director Of Photography: Second Unit
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Camera Operator: Second Unit
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Director Of Photography: Russia Second Unit, Second Unit Director: UK
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Director Of Photography: Second Unit
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Director Of Photography: Second Unit
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Director Of Photography: Second Unit
2 Days in the Valley (1996)
Directed by: John Herzfeld
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography: Utah
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Director Of Photography: Second Unit
Virtuosity (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Director Of Photography: Second Unit
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Director Of Photography: Additional Unit
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Camera Operator: Second Unit
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Director Of Photography: Second Unit
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Director Of Photography: Second Unit
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Camera Operator
CrissCross (1992)
Directed by: Chris Menges
Cinematography by: Ivan Strasburg
Edited by: Tony Lawson
Camera Operator: "a" Camera
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Camera Operator
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Camera Operator: Los Angeles
Who's Harry Crumb? (1989)
Directed by: Paul Flaherty
Cinematography by: Stephen M. Katz
Edited by: Danford B. Greene
Camera Operator
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Camera Operator
White Water Summer (1987)
Directed by: Jeff Bleckner
Cinematography by: John Alcott
Edited by: David Ray
Camera Operator: Second Unit, San Francisco
Burglar (1987)
Directed by: Hugh Wilson
Cinematography by: William A. Fraker
Camera Operator
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
Police Academy 2: Their First Assignment (1985)
Cinematography by: James Crabe
Edited by: Bob Wyman
Cameras: Panavision Cameras
Camera Operator
Vision Quest (1985)
Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe
Camera Operator
The Osterman Weekend (1983)
Directed by: Sam Peckinpah
Cinematography by: John Coquillon
Cameras: Panavision Cameras
Camera Operator
Night Shift (1982)
Directed by: Ron Howard
Cinematography by: James Crabe
Cameras: Panavision Cameras
Camera Operator
The Challenge (1982)
Directed by: John Frankenheimer
Cinematography by: Kôzô Okazaki
Edited by: John W. Wheeler
Camera Operator
Continental Divide (1981)
Directed by: Michael Apted
Cinematography by: John Bailey
Edited by: Dennis Virkler
Camera Operator
The Pursuit of D.B. Cooper (1981)
Second Camera Operator
The Blues Brothers (1980)
Directed by: John Landis
Cinematography by: Stephen M. Katz
Edited by: George Folsey Jr.
Camera Operator
The Formula (1980)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Edited by: John Carter
Cameras: Panavision Cameras
Camera Operator
When Time Ran Out... (1980)
Directed by: James Goldstone
Cinematography by: Fred J. Koenekamp
Additional Camera Operator
Over the Edge (1979)
Directed by: Jonathan Kaplan
Cinematography by: Andrew Davis
Edited by: Robert Barrere
Camera Operator
The Amityville Horror (1979)
Directed by: Stuart Rosenberg
Cinematography by: Fred J. Koenekamp
Edited by: Robert Brown
Camera Operator
The Champ (1979)
Directed by: Franco Zeffirelli
Cinematography by: Fred J. Koenekamp
Edited by: Michael J. Sheridan
Camera Operator
The Swarm (1978)
Directed by: Irwin Allen
Cinematography by: Fred J. Koenekamp
Edited by: Harold F. Kress
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
The Bad News Bears in Breaking Training (1977)
Directed by: Michael Pressman
Cinematography by: Fred J. Koenekamp
Edited by: John W. Wheeler
Assistant Cameraman
Papillon (1973)
Directed by: Franklin J. Schaffner
Cinematography by: Fred J. Koenekamp
Edited by: Robert Swink
Assistant Camera
The Andromeda Strain (1971)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Assistant Camera
Patton (1970)
Directed by: Franklin J. Schaffner
Cinematography by: Fred J. Koenekamp
Edited by: Hugh S. Fowler
Cameras: Mitchell FC 65mm Camera
