Cinematographer
The Boss (2016)
Directed by: Ben Falcone
Cinematography by: Julio Macat
Edited by: Craig Alpert
Cameras: ARRI ALEXA 65 Camera
Lenses: Leitz Summilux-C Series Lenses
Director Of Photography
Horrible Bosses 2 (2014)
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
Director Of Photography
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Visual Consultant, Visual Lighting Consultant
Wreck-It Ralph (2012)
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Director Of Photography
Our Family Wedding (2010)
Directed by: Rick Famuyiwa
Cinematography by: Julio Macat
Edited by: Dirk Westervelt
Cinematographer
Columbus Day (2008)
Directed by: Charles Burmeister
Cinematography by: Julio Macat
Edited by: Jake Pushinsky
Director Of Photography
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Cinematographer
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Director Of Photography
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Director Of Photography
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Cinematographer
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Director Of Photography, Newspaper Stand Guy
The Wedding Planner (2001)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Director Of Photography
Home Alone 3 (1997)
Directed by: Raja Gosnell
Cinematography by: Julio Macat
Cameras: Panavision Panaflex Gold Camera
Director Of Photography
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Director Of Photography
Moonlight and Valentino (1995)
Directed by: David Anspaugh
Cinematography by: Julio Macat
Edited by: David Rosenbloom
Cinematographer
Miracle on 34th Street (1994)
Directed by: Les Mayfield
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cinematographer
Ace Ventura: Pet Detective (1994)
Directed by: Tom Shadyac
Cinematography by: Julio Macat
Edited by: Don Zimmerman
Director Of Photography
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography
Home Alone (1990)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Additional Photography
Hell Comes to Frogtown (1988)
Camera Operator: "a" Camera Supplemental Unit
License to Drive (1988)
Directed by: Greg Beeman
Cinematography by: Bruce Surtees
Photographer: Second Unit
Mortuary Academy (1988)
Directed by: Michael Schroeder
Edited by: Ellen Keneshea
Second Assistant Camera
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Assistant Camera
The Return of the Living Dead (1985)
Directed by: Dan O'Bannon
Cinematography by: Jules Brenner
Edited by: Robert Gordon
Cameras: Panavision Cameras
Assistant Camera
The Osterman Weekend (1983)
Directed by: Sam Peckinpah
Cinematography by: John Coquillon
Cameras: Panavision Cameras
