Terrence Malick

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A Hidden Life | ShotOnWhat?

Director, Written By

A Hidden Life (2019)

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

To the Wonder | ShotOnWhat?

Director, Written By

To the Wonder (2012)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Tree of Life | ShotOnWhat?

Director, Written By

The Tree of Life (2011)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Unforeseen | ShotOnWhat?

Executive Producer

The Unforeseen (2007)

Directed by: Laura Dunn

Cinematography by: Lee Daniel

Edited by: Laura Dunn, Emily Morris

Amazing Grace | ShotOnWhat?

Producer

Amazing Grace (2006)

Directed by: Michael Apted

Cinematography by: Remi Adefarasin

Edited by: Rick Shaine

Cameras: ARRI Cameras

The New World | ShotOnWhat?

Director, Written By

The New World (2005)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Beautiful Country | ShotOnWhat?

Idea, Producer

The Beautiful Country (2004)

Directed by: Hans Petter Moland

Cinematography by: Stuart Dryburgh

Edited by: Wibecke Rønseth

Undertow | ShotOnWhat?

Producer

Undertow (2004)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Zene Baker, Steven Gonzales

The Thin Red Line | ShotOnWhat?

Director, Screenplay

The Thin Red Line (1998)

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

Days of Heaven | ShotOnWhat?

Director, Mill Worker, Written By

Days of Heaven (1978)

Directed by: Terrence Malick

Cinematography by: Néstor Almendros

Edited by: Billy Weber

Cameras: Panavision Panaflex Camera

Lenses: Canon FD 55mm f1.2 AL, Panavision Lenses

Badlands | ShotOnWhat?

Caller At Rich Man's House, Director, Producer, Written By

Badlands (1973)

Directed by: Terrence Malick

Cinematography by: Tak Fujimoto, Stevan Larner, Brian Probyn

Edited by: Robert Estrin, Billy Weber

Cameras: Mitchell BNCR Camera

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