Joseph Jett Sally

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The Matrix Resurrections | ShotOnWhat?

Editor

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Visual Effects Editor

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

After Earth | ShotOnWhat?

Visual Effects Editor

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Grey | ShotOnWhat?

Additional Editor

The Grey (2011)

Directed by: Joe Carnahan

Cinematography by: Masanobu Takayanagi

Edited by: Roger Barton, Jason Hellmann

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Ghost Rider: Spirit of Vengeance | ShotOnWhat?

Visual Effects Editor

Ghost Rider: Spirit of Vengeance (2011)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Brian Berdan

Cameras: Red One MX Camera

The A-Team | ShotOnWhat?

Visual Effects Editor

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Ninja Assassin | ShotOnWhat?

Editor

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

Speed Racer | ShotOnWhat?

First Assistant Editor

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Additional Editor

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Assistant Editor, Sephjet Josall

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Assistant Editor: Avid

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Armageddon | ShotOnWhat?

Assistant Editor

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Flubber | ShotOnWhat?

Assistant Editor: Lightworks

Flubber (1997)

Directed by: Les Mayfield

Cinematography by: Dean Cundey

Edited by: Harvey Rosenstock, Michael A. Stevenson

Cameras: Panavision Cameras

Larger Than Life | ShotOnWhat?

First Assistant Film Editor

Larger Than Life (1996)

Directed by: Howard Franklin

Cinematography by: Elliot Davis

Edited by: Sidney Levin

Canadian Bacon | ShotOnWhat?

Assistant Film Editor

Canadian Bacon (1995)

Directed by: Michael Moore

Cinematography by: Haskell Wexler

Edited by: Michael Berenbaum, Wendey Stanzler

The Grass Harp | ShotOnWhat?

First Assistant Editor

The Grass Harp (1995)

Directed by: Charles Matthau

Cinematography by: John A. Alonzo

Edited by: Sidney Levin, Carroll Timothy O'Meara

Guarding Tess | ShotOnWhat?

Apprentice Film Editor

Guarding Tess (1994)

Directed by: Hugh Wilson

Cinematography by: Brian J. Reynolds

Edited by: Sidney Levin

Look Who's Talking Now | ShotOnWhat?

Assistant Editor

Look Who's Talking Now (1993)

Directed by: Tom Ropelewski

Cinematography by: Oliver Stapleton

Edited by: Harry Hitner, Michael A. Stevenson

Captain Ron | ShotOnWhat?

Second Assistant Film Editor

Captain Ron (1992)

Directed by: Thom Eberhardt

Cinematography by: Daryn Okada

Edited by: Tina Hirsch

Folks! | ShotOnWhat?

Assistant Sound Effects Editor / Sound Effects Editor

Folks! (1992)

Directed by: Ted Kotcheff

Cinematography by: Larry Pizer

Edited by: Joan E. Chapman

Twin Peaks: Fire Walk with Me | ShotOnWhat?

Production Sound Editor

Twin Peaks: Fire Walk with Me (1992)

Directed by: David Lynch

Cinematography by: Ronald Víctor García

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

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