Executive Producer
'The Wire' Mission Accomplished (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Executive Producer
'The Wire' Time After Time (2004)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Executive Producer
'The Wire' All Due Respect (2004)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Executive Producer
'The Wire' Dead Soldiers (2004)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Michael Berenbaum
Executive Producer
'The Wire' Hamsterdam (2004)
Directed by: Ernest R. Dickerson
Edited by: Deborah Moran
Executive Producer
'The Wire' Straight and True (2004)
Directed by: Daniel Attias
Cinematography by: Dave Insley
Edited by: Kate Sanford
Executive Producer
'The Wire' Homecoming (2004)
Directed by: Leslie Libman
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Executive Producer
'The Wire' Back Burners (2004)
Directed by: Timothy Van Patten
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Executive Producer
'The Wire' Moral Midgetry (2004)
Directed by: Agnieszka Holland
Cinematography by: Eagle Egilsson
Edited by: Kate Sanford
Executive Producer
'The Wire' Slapstick (2004)
Directed by: Alex Zakrzewski
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Executive Producer
'The Wire' Reformation (2004)
Directed by: Christine Moore
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Executive Producer
'The Wire' Middle Ground (2004)
Directed by: Joe Chappelle
Cinematography by: Eagle Egilsson
Edited by: Deborah Moran
Director, Executive Producer
'The Wire' Port in a Storm (2003)
Directed by: Robert F. Colesberry
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Det. Ray Cole, Executive Producer, Second Unit Director
'The Wire' Ebb Tide (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Det. Ray Cole, Executive Producer, Second Unit Director
'The Wire' Collateral Damage (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Executive Producer, Second Unit Director
'The Wire' Hot Shots (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Executive Producer, Second Unit Director
'The Wire' Hard Cases (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Det. Ray Cole, Executive Producer, Second Unit Director
'The Wire' Undertow (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Executive Producer, Second Unit Director
'The Wire' All Prologue (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Executive Producer, Second Unit Director
'The Wire' Backwash (2003)
Directed by: Thomas J. Wright
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Executive Producer, Second Unit Director
'The Wire' Duck and Cover (2003)
Directed by: Daniel Attias
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Det. Ray Cole, Executive Producer, Second Unit Director
'The Wire' Stray Rounds (2003)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Executive Producer, Second Unit Director
'The Wire' Storm Warnings (2003)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Executive Producer
'The Wire' Bad Dreams (2003)
Directed by: Ernest R. Dickerson
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Executive Producer
'The Wire' Cleaning Up (2002)
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Det. Ray Cole, Executive Producer
'The Wire' Sentencing (2002)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Det. Ray Cole, Executive Producer
'The Wire' The Hunt (2002)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Det. Ray Cole, Director - 1 Episode, 2003, Executive Producer - 37 Episodes, 2002-2004, Second Unit Director - 10 Episodes, 2003
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Det. Ray Cole, Executive Producer
'The Wire' The Target (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Det. Ray Cole, Executive Producer
'The Wire' The Detail (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Executive Producer
'The Wire' The Buys (2002)
Directed by: Peter Medak
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Executive Producer
'The Wire' Old Cases (2002)
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Executive Producer
'The Wire' The Pager (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Det. Ray Cole, Executive Producer
'The Wire' One Arrest (2002)
Directed by: Joe Chappelle
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Det. Ray Cole, Executive Producer
'The Wire' Lessons (2002)
Directed by: Gloria Muzio
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Executive Producer
'The Wire' Game Day (2002)
Directed by: Milcho Manchevski
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Det. Ray Cole, Executive Producer
'The Wire' The Cost (2002)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Det. Ray Cole, Executive Producer
'The Wire' The Wire (2002)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Producer, Unit Production Manager
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Producer, Unit Production Manager
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Jack Kelly, Producer
Billy Bathgate (1991)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Cameraman, Producer
Mississippi Burning (1988)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Cameras: Panavision Panaflex Gold Camera
Producer
The House on Carroll Street (1987)
Directed by: Peter Yates
Cinematography by: Michael Ballhaus
Edited by: Ray Lovejoy
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Producer
Death of a Salesman (1985)
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
Producer
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Associate Producer, Unit Production Manager
The Natural (1984)
Directed by: Barry Levinson
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Associate Producer, Unit Production Manager
Falling in Love (1984)
Directed by: Ulu Grosbard
Cinematography by: Peter Suschitzky
Edited by: Michael Kahn
Associate Producer, Production Manager
The King of Comedy (1982)
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
First Assistant Director
Fame (1980)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Assistant Production Coordinator
The Wiz (1978)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
