Cinematographer
Tea with Mussolini (1999)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Tariq Anwar
Cinematographer
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Cinematographer
Jane Eyre (1996)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Richard Marden
Cinematographer
Milk Money (1994)
Directed by: Richard Benjamin
Cinematography by: David Watkin
Edited by: Jacqueline Cambas
Cinematographer
This Boy's Life (1993)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Cinematographer
The Object of Beauty (1991)
Directed by: Michael Lindsay-Hogg
Cinematography by: David Watkin
Edited by: Ruth Foster
Cinematographer
Memphis Belle (1990)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Director Of Photography
The Good Mother (1988)
Directed by: Leonard Nimoy
Cinematography by: David Watkin
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Director Of Photography
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Cinematographer
The Hotel New Hampshire (1984)
Directed by: Tony Richardson
Cinematography by: David Watkin
Edited by: Robert K. Lambert
Director Of Photography
Chariots of Fire (1981)
Directed by: Hugh Hudson
Cinematography by: David Watkin
Edited by: Terry Rawlings
Cinematographer
Cuba (1979)
Directed by: Richard Lester
Cinematography by: David Watkin
Edited by: John Victor Smith
Director Of Photography
Hanover Street (1979)
Directed by: Peter Hyams
Cinematography by: David Watkin
Edited by: James Mitchell
Director Of Photography
The Four Musketeers: Milady's Revenge (1974)
Directed by: Richard Lester
Cinematography by: David Watkin
Edited by: John Victor Smith
Director Of Photography
Catch-22 (1970)
Directed by: Mike Nichols
Cinematography by: David Watkin
Edited by: Sam O'Steen
Cinematographer: Title Sequence
Goldfinger (1964)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Edited by: Peter R. Hunt
Cameras: Mitchell BNC Camera
