Sound Effects Editor
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Sound Effects Editor
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Dialogue Editor
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Sound Effects Editor
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Sound Editor
The Winslow Boy (1999)
Directed by: David Mamet
Cinematography by: Benoît Delhomme
Edited by: Barbara Tulliver
Sound Effects Editor
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Re-recording Mixer
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Sound Editor
The Spanish Prisoner (1997)
Directed by: David Mamet
Cinematography by: Gabriel Beristain
Edited by: Barbara Tulliver
Sound Editor
Nobody's Fool (1994)
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Dialogue Editor
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Sound Editor
Carlito's Way (1993)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold II Camera
Supervising Sound Editor
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Dialogue Editor
HouseSitter (1992)
Directed by: Frank Oz
Cinematography by: John A. Alonzo
Edited by: John Jympson
Sound Editor
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Sound Editor
Casualties of War (1989)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Sound Editor
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Supervising Sound Editor
Places in the Heart (1984)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Carol Littleton
Supervising Sound Editor
Reds (1981)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Supervising Sound Editor
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
Supervising Sound Editor
The Missouri Breaks (1976)
Directed by: Arthur Penn
Cinematography by: Michael C. Butler
Sound Editor
Dog Day Afternoon (1975)
Directed by: Sidney Lumet
Cinematography by: Victor J. Kemper
Edited by: Dede Allen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Editor
Serpico (1973)
Directed by: Sidney Lumet
Cinematography by: Arthur J. Ornitz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Editor
Midnight Cowboy (1969)
Directed by: John Schlesinger
Cinematography by: Adam Holender
Edited by: Hugh A. Robertson
