Cinematographer
The Veil (2016)
Directed by: Phil Joanou
Cinematography by: Steeven Petitteville
Edited by: Paul Norling
Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Editing System: Adobe Premiere Editing System, Avid Editing System
Cinematographer
'The Deleted' The Interviews (2016)
Directed by: Bret Easton Ellis
Cinematography by: Steeven Petitteville
Edited by: Joe Carugati
Cinematographer
'The Deleted' Parties (2016)
Directed by: Bret Easton Ellis
Cinematography by: Steeven Petitteville
Edited by: Joe Carugati
Cinematographer
'The Deleted' The Meeting (2016)
Directed by: Bret Easton Ellis
Cinematography by: Steeven Petitteville
Edited by: Nate Katz
Cinematographer
'The Deleted' Breeda (2016)
Directed by: Bret Easton Ellis
Cinematography by: Steeven Petitteville
Edited by: Nate Katz
Cinematographer
'The Deleted' The Hook Up (2016)
Directed by: Bret Easton Ellis
Cinematography by: Steeven Petitteville
Edited by: Joe Carugati
Cinematographer
'The Deleted' The Betrayal (2016)
Directed by: Bret Easton Ellis
Cinematography by: Steeven Petitteville
Edited by: Nate Katz
Cinematographer
'The Deleted' The Arrivals (2016)
Directed by: Bret Easton Ellis
Cinematography by: Steeven Petitteville
Edited by: Nate Katz
Cinematographer - 7 Episodes, 2016
The Deleted (2016)
Directed by: Bret Easton Ellis
Cameras: ARRI ALEXA Mini Camera
Lenses: Zeiss Lenses
Camera Operator, Cinematographer
Operator (2016)
Directed by: Logan Kibens
Cinematography by: Steeven Petitteville
Edited by: Logan Kibens
Cameras: ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses: Zeiss Lenses
Camera Operator, Cinematographer
The Stroller Strategy (2012)
Directed by: Clément Michel
Cinematography by: Steeven Petitteville
Edited by: Julie Dupré
Cameras: ARRI ALEXA Plus Camera
Lenses: Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Associate Producer, Camera Operator, Cinematographer
Behold the Lamb (2011)
Directed by: John McIlduff
Cinematography by: Steeven Petitteville
Edited by: Nick Emerson
Cameras: ARRIFLEX 16mm Cameras
Lenses: Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses
Editing System: Avid Editing System
First Assistant Camera
The Diving Bell and the Butterfly (2007)
Directed by: Julian Schnabel
Cinematography by: Janusz Kaminski
Edited by: Juliette Welfling
Cameras: ARRIFLEX 435 Camera
First Assistant Camera: "b" Camera, Morocco
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
First Assistant Camera: "b" Camera, Second Unit
Marie Antoinette (2006)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Cinematographer: Second Unit
On va s'aimer (2006)
Directed by: Ivan Calbérac
Cinematography by: David Quesemand
Edited by: Véronique Parnet
Camera Operator: 24p Camera, Paris
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
First Assistant Camera: Second Unit, Paris
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Camera Assistant: Second Unit
A Very Long Engagement (2004)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Assistant Camera: Second Unit
7 ans de mariage (2003)
Directed by: Didier Bourdon
Cinematography by: Pascal Caubère
Assistant Camera: Pre-shooting
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
