Storyboard Artist
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Officer Walsh, Storyboard Artist
The Old Man & the Gun (2018)
Directed by: David Lowery
Cinematography by: Joe Anderson
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX 416 Camera
Lenses: Canon Lenses, Cooke S4 Lenses
Storyboard Artist
Suburbicon (2017)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Cameras: ARRI ALEXA XT Plus Camera
Smoker At Protest, Storyboard Artist
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Storyboarded By
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Nibdipper
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Storyboard Artist
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Storyboard Artist
The Big Bang (2010)
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Drawboy
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Executive Artist
Whip It (2009)
Directed by: Drew Barrymore
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Pen Grappler
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Graphite Operator
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Conceptual Consultant, Man In Pool
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Visual Consultant
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Storyboard Artist
Paris, je t'aime (2006)
Directed by: Olivier Assayas, Frédéric Auburtin, Emmanuel Benbihy, Gurinder Chadha, Sylvain Chomet, Ethan Coen, Joel Coen, Isabel Coixet, Wes Craven, Alfonso Cuarón, Gérard Depardieu, Christopher Doyle, Richard LaGravenese, Vincenzo Natali, Alexander Payne, Bruno Podalydès, Walter Salles, Oliver Schmitz, Nobuhiro Suwa, Daniela Thomas, Tom Tykwer, Gus Van Sant
Cinematography by: Maxime Alexandre, Michel Amathieu, Pierre Aïm, Bruno Delbonnel, Eric Gautier, Frank Griebe, Éric Guichard, Jean-Claude Larrieu, Denis Lenoir, Rain Li, Pascal Marti, Tetsuo Nagata, Matthieu Poirot-Delpech, David Quesemand, Pascal Rabaud, Michael Seresin, Gérard Sterin
Edited by: Luc Barnier, Mathilde Bonnefoy, Stan Collet, Simon Jacquet, Anne Klotz, Isabel Meier, Alex Rodríguez, Hisako Suwa
Storyboard Artist
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Ink And Leads
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Second Unit Director, Unit Limner
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Storyboard Artist
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Hand-to-eye Man
The Man Who Wasn't There (2001)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Storyboard Artist
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Director, Written By
The Naked Man (1998)
Directed by: J. Todd Anderson
Cinematography by: Jeff Barklage
Storyboard Artist
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Storyboard Artist: ILM
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Storyboard Artist, Victim In The Field
Fargo (1996)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 BL4 Camera
Storyboard Artist
Nell (1994)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Storyboard Artist
Nadja (1994)
Directed by: Michael Almereyda
Cinematography by: Jim Denault
Edited by: David Leonard
Storyboard Artist
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Storyboard Artist
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Storyboard Artist
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Storyboard Artist
Miller's Crossing (1990)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Storyboard Artist
Raising Arizona (1987)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
