Camera Operator: San Francisco
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
B Camera Operator
'13 Reasons Why' The Missing Page (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
B Camera Operator
'13 Reasons Why' Bryce and Chloe (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
B Camera Operator
'13 Reasons Why' The Box of Polaroids (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
B Camera Operator
'13 Reasons Why' Smile, Bitches (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
B Camera Operator
'13 Reasons Why' The Little Girl (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
B Camera Operator
'13 Reasons Why' The Third Polaroid (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
B Camera Operator
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
B Camera Operator
'13 Reasons Why' The Second Polaroid (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
B Camera Operator
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
B Camera Operator
'13 Reasons Why' The Drunk Slut (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
B Camera Operator
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
B Camera Operator
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
B Camera Operator
'13 Reasons Why' Tape 4, Side B (2017)
Directed by: Gregg Araki
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
B Camera Operator
'13 Reasons Why' Tape 6, Side A (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
B Camera Operator
'13 Reasons Why' Tape 5, Side B (2017)
Directed by: Carl Franklin
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
B Camera Operator
'13 Reasons Why' Tape 5, Side A (2017)
Directed by: Carl Franklin
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
B Camera Operator
'13 Reasons Why' Tape 6, Side B (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
B Camera Operator
'13 Reasons Why' Tape 7, Side A (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
B Camera Operator
'13 Reasons Why' Tape 3, Side B (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
B Camera Operator - 21 Episodes, 2017-2018
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
B Camera Operator
'13 Reasons Why' Tape 4, Side A (2017)
Directed by: Gregg Araki
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
B Camera Operator
'13 Reasons Why' Tape 3, Side A (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Camera Operator
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Camera Operator: "b" Camera
'Mad Men' The Milk and Honey Route (2015)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Camera Operator: "b" Camera
'Mad Men' Person to Person (2015)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Tom Wilson
Camera Operator: "b" Camera
'Mad Men' Lost Horizon (2015)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Camera Operator: "b" Camera
'Mad Men' The Forecast (2015)
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Camera Operator: "b" Camera
'Mad Men' Severance (2015)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Camera Operator: "b" Camera
'Mad Men' New Business (2015)
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Chris Figler
Camera Operator: "b" Camera
'Mad Men' Time & Life (2015)
Directed by: Jared Harris
Cinematography by: Chris Manley
Edited by: Tom Wilson
Director Of Photography: Second Unit
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Camera Operator: "b" Camera
'Mad Men' Waterloo (2014)
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Camera Operator: "b" Camera
'Mad Men' The Strategy (2014)
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Camera Operator
'Mad Men' The Runaways (2014)
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Camera Operator
'Mad Men' The Monolith (2014)
Directed by: Scott Hornbacher
Cinematography by: Don Devine
Edited by: Christopher Gay
Camera Operator: "b" Camera
'Mad Men' Field Trip (2014)
Directed by: Chris Manley
Cinematography by: M. David Mullen
Edited by: Chris Figler
Camera Operator: "b" Camera
'Mad Men' Time Zones (2014)
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Camera Operator
'Mad Men' A Day's Work (2014)
Directed by: Michael Uppendahl
Cinematography by: Don Devine
Edited by: Tom Wilson
Camera Operator: "a" Camera
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
Camera Operator: "a" Camera, Second Unit
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Camera Operator
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Camera Operator: 'b' Camera
'Weeds' A Yippity Sippity (2010)
Directed by: Tate Donovan
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Visual Effects Camera Operator: "b" Camera / Visual Effects Director Of Photography
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Camera Operator: 'a' Camera
'Weeds' Boomerang (2010)
Directed by: Scott Ellis
Cinematography by: Steven H. Smith
Edited by: Bill Turro
Camera Operator: 'b' Camera
'Weeds' Pinwheels and Whirligigs (2010)
Directed by: Michael Uppendahl
Cinematography by: Michael Trim
Edited by: David Helfand
Camera Operator: 'b' Camera
'Weeds' Bliss (2010)
Directed by: Eric Jewett
Cinematography by: Michael Trim
Edited by: David Helfand
Camera Operator: 'b' Camera
'Weeds' A Shoe for a Shoe (2010)
Directed by: Michael Trim
Cinematography by: Michael Trim
Edited by: Scott J. Wallace
Camera Operator: "b" Camera, Second Unit
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Camera Operator: "a" Camera
My Sister's Keeper (2009)
Directed by: Nick Cassavetes
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera, 3D Unit / Director Of Photography: Second Unit
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Camera Operator
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Additional Camera Operator
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Camera Operator: "b" Camera / Camera Operator - 14 Episodes, 2014-2015
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Camera Operator
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Director Of Photography
Larry the Cable Guy: Health Inspector (2006)
Directed by: Trent Cooper
Cinematography by: Kim Marks
Edited by: Gregg Featherman
Visual Effects Director Of Photography: ILM
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Camera Operator: 'b' Camera / Camera Operator: 'a' Camera - 5 Episodes, 2010
Weeds (2005)
Directed by: Craig Zisk, Michael Trim, Scott Ellis, Julie Anne Robinson, Eric Jewett, Paul Feig, Lev L. Spiro, Tucker Gates, Brian Dannelly, Perry Lang, Ernest R. Dickerson, Michael Pressman, Robert Berlinger, Lee Rose, Arlene Sanford, Burr Steers, Bryan Gordon, Chris Long, Christopher Misiano, Martha Coolidge, Randy Zisk, Paris Barclay, Adam Bernstein, David Steinberg, Lesli Linka Glatter, Jeremy Podeswa, Bethany Rooney, Matt Shakman, Tate Donovan, Michael Uppendahl, David Warren, Phil Abraham, Uta Briesewitz
Edited by: David Helfand, William Turro, Scott J. Wallace, Lisa Bromwell, Debra F. Simone, Brian Barr, Pamela Martin, Lance Luckey, W. Kale Whorton
Cameras: Sony CineAlta F23 Camera
Visual Effects Director Of Photography: ILM
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Additional Visual Effects Photography
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Camera Operator
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Director Of Photography: Second Unit, USA
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Camera Operator: "a" Camera
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Director Of Photography: New York Second Unit
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Camera Operator: Second Unit / Director Of Photography: Second Unit
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Camera Operator: "b" Camera
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator: "a" Camera, Second Unit
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Camera Operator
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Camera Operator: "a" Camera
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Camera Operator: "b" Camera
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Director Of Photography: Second Unit
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Camera Operator
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "b" Camera / Director Of Photography: Additional Photography
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Camera Operator: Plate Photography Unit
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Operator: San Francisco
Homeward Bound II: Lost in San Francisco (1996)
Directed by: David R. Ellis
Cinematography by: Jack Conroy
Camera Operator: "b" Camera
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Camera Operator: Additional Photography / Director Of Photography: Additional Photography
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Visual Effects Director Of Photography: London Bluescreen Photography Unit
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Director Of Photography: Blue Screen Unit
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Camera Operator: "b" Camera
Mrs. Doubtfire (1993)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Camera Operator: Alien Sequence
Fire in the Sky (1993)
Directed by: Robert Lieberman
Cinematography by: Bill Pope
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Camera Operator: Second Unit - San Francisco
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Key Effects Photographer
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Visual Effects Cameraman
Joe Versus the Volcano (1990)
Directed by: John Patrick Shanley
Cinematography by: Stephen Goldblatt
Visual Effects Director Of Photography: ILM
Die Hard 2 (1990)
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Visual Effects Camera Operator
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Camera Operator: ILM
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Camera Operator: ILM
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Visual Effects Camera: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Director Of Photography: ILM
Caddyshack II (1988)
Directed by: Allan Arkush
Cinematography by: Harry Stradling Jr.
Edited by: Bernard Gribble
Cameras: Panavision Cameras
Visual Effects Cameraman: ILM
The Witches of Eastwick (1987)
Directed by: George Miller
Cinematography by: Vilmos Zsigmond
Go-motion Camera Operator: ILM
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Camera Operator: ILM
Back to the Future (1985)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Visual Effects Cameraman: ILM
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Assistant Cameraman: ILM
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Assistant Cameraman: ILM
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
First Assistant Cameraman: ILM
Poltergeist (1982)
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
